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The Ultimate Guide to Choosing the Right Signal Cables


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As being an Audio Systems Specialist at Long & McQuade and with experience working on audio systems for musicians, studios, and live venues, I can confidently say—cables matter more than most people think.

You could have the best gear on the planet, but if your signal is running through the wrong cable, you’re setting yourself up for tone loss, noise, or even failure right when it matters most. So let me break it down for you, in plain English, so you can confidently wire up your pedalboard, studio, or full-blown live rig.


Here in this blog I will be focusing on cables used in the analog signal flow.

Let's first start by knowing different types of cable.


Understanding Cable Types: Balanced vs. Unbalanced


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Unbalanced Cables (TS - Tip/Sleeve)

These are the standard instrument cables you use to connect guitars, basses, and keyboards to amps or pedals.

  • Connectors: TS (Tip-Sleeve)

  • Length Limit: Keep under 20 ft to avoid signal degradation or noise

  • Best Use: Guitar to amp, pedals to pedals, keyboard to DI box

  • Tech Note: These are high-impedance cables—so capacitance matters. Look for cables with under 40 pF/ft to preserve clarity and top-end.

    ***Speaker cables aren’t always labeled with their capacitance (like "40 pF/ft") right on the packaging, so it’s not always obvious at a glance. However, reputable cable brands often include detailed technical specs — including capacitance — in their product manuals or on their websites.

    So if you want to check the capacitance of a cable before buying, look for the brand's technical manual or product spec sheet. That’s where you’ll typically find important details like capacitance per foot (pF/ft), resistance, and inductance — all of which can affect audio performance.


Balanced Cables (XLR or TRS - Tip/Ring/Sleeve)

These are designed for professional audio and long cable runs—used for microphones, mixers, and studio monitors.

  • Connectors: XLR or TRS

  • Length: Can run 100+ ft without signal loss

  • Best Use: Microphones, line-level gear, active monitors

  • Tech Note: Balanced cables reject noise by carrying the signal on two conductors plus a ground, making them ideal in high-interference environments.


What Type of Cable Do You Need?

Here’s what I typically recommend based on gear type:


Instrument Cables

TS Cable
TS Cable

  • Use: Guitar, bass, keyboard to amp or DI

  • Type: TS (unbalanced)

  • What to Look For:

    • Oxygen-Free Copper (OFC)

    • Capacitance under 40 pF/ft

    • Strong strain relief near connectors


Microphone Cables

XLR M-F Cable
XLR M-F Cable

  • Use: Mic to mixer, interface, preamp

  • Type: XLR (balanced)

  • What to Look For:

    • Braided shielding for noise rejection

    • Durable jackets for live use



Patch Cables

Patch Cables
Patch Cables

  • Use: Pedalboards, synths, rack gear

  • Type: TS or TRS

  • Tip: Flat patch cables help reduce clutter on tight boards.






Speaker Cables (IMPORTANT!)

Never use an instrument cable as a speaker cable—this is a common mistake that

Yorkville Sound Standard Series Speaker Cable 18G
Yorkville Sound Standard Series Speaker Cable 18G

can damage your amp or cause cable overheating.

  • Type: 2-conductor, unshielded

  • Recommended Gauge:

    • 12 AWG: Long runs or high-power systems

    • 14 AWG: Medium runs and passive speakers




Note: The lower the gauge number, the thicker the wire. Thicker wires (like 12 AWG) have less resistance and are better for handling higher power over longer distances. This numbering system can be unintuitive, so keep it in mind when choosing your cables.



Tech Specs to Know

Spec

Why It Matters

Recommendation

Capacitance

Affects tone in instrument cables

Under 40 pF/ft

Shielding

Prevents noise and interference

Braided preferred

AWG (Gauge)

Thicker wire handles more current

20–24 AWG (signal), 12–14 AWG (speaker)

Stranding

More strands = better flexibility

50–64 strands

Connector Quality

Prevents dropouts and signal loss

Neutrik, Amphenol

Available Cable Options at Long & McQuade (Toronto & Canada-Wide)

Instrument Cables (TS – Unbalanced)

Model

Price (approx.)

Notes

CPP-110 10’

$12 CAD

Entry-level, great for short runs

20’ Bulk Red/Black Cable

$19.99

Great for building or backups

30’ Coiled Cable (Black/White)

$49.99

Classic look, stage-friendly

Fender Festival Rainbow 18.6’

$24.99

Great tone, fun aesthetic

Top Recommendations:

  • Mogami Gold Series: ~20 AWG, OFC, braided shield – studio-grade clarity

  • Planet Waves (D’Addario): Mid-tier, durable and affordable

  • ProCo Excellines: Rugged for touring; solid tone at a reasonable price


Balanced Cables (XLR or TRS)

Model

Price (approx.)

Notes

Yorkville XLR/TRS

$34.99–$63.99

Reliable pro audio cables

20’ XLR Microphone Cable (Black)

$34.99

Balanced, stage-ready

Top Recommendation:

  • Canare L-4E6S Star Quad: Excellent for noise rejection and long mic runs


Patch & Specialty Cables

Model

Price (approx.)

Notes

10’ Stereo Breakout (CMP-159)

$16.29

Perfect for keyboards or small rigs

Recommended Brands by Use Case

Use Case

Brand/Model

Why It Works

Studio-grade recording

Mogami Gold

Ultra low capacitance, lifetime build

Live stage durability

ProCo Excellines / Planet Waves

Rugged, reliable, solid value

Noisy environments

Canare Star Quad / Yorkville Pro

Star quad shielding, pro-grade components

Budget setups

CPP-110 / Link Audio

Affordable, easy to replace

Unique visuals

Fender Festival

Stylish + solid performance

Construction Materials to Consider

  • Conductor: OFC (Oxygen-Free Copper) – better conductivity, less signal loss

  • Gauge:

    • 20–24 AWG for signal

    • 12–14 AWG for speaker power

  • Shielding:

    • Braided > Spiral > Foil for noise rejection

  • Stranding:

    • 50+ fine strands = more flexibility, less breakage

  • Connectors:

    • Neutrik / Amphenol are top-tier; Yorkville also offers in-store service support


Final Thoughts from Your Audio Systems Specialist

Your tone, clarity, and reliability all come down to one overlooked component: your cables.

If you're investing in quality gear, don't skimp on the cables connecting it all. Whether you're wiring up a $500 pedalboard or a $50,000 studio, the right cable can make the difference between clean, consistent performance—or frustrating failure.

Need help choosing the right cable for your gear? Come talk to me at Long & McQuade—I’m happy to help.

Let’s get your rig sounding the way it should.

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